The sound quality of the entire composition in pop and rock music depends largely on recording quality and acoustic drum processing. The same is typical of electronic music mixing in which beat and drums often play a key role and demand a lot from the studio of online mix and master services level and creativity. To make the best impression on listener, a number of tips related to corrective and creative equalization of programmed drums will come useful for audio engineers.
Here they are:
1. Get rid of boxiness
Kicks often have boxy side-tone due to plenty of harmonics in the range of 300–500 Hz what adds some looseness to them. But it is absolutely unacceptable in electronic music mixing. In fact, exactly a bass drum is often the base of the whole song. To get rid of this mud, online studio engineer can cut excessive things with bell EQ, and kick gets a lot more solid. So that it won’t get lost in a mix which is quite rich in instruments, mixing engineer might boost high-mid and/or treble zone. As a first step he can dramatically emphasize “click” in the 2 kHz region and, if necessary, boost the effect by a complementary small rise in the 10 kHz region.
2. Fat means Saturated
By contrast with natural sounds, the mere synthesized ones can sound sort of poor but it can be easily corrected by mixing engineers with saturation. For example, electronic claps will be by far fatter by adding saturation and even distortion; online studio engineer should only keep in mind that this kind of processing adds a lot of extra bass and low-mid frequencies to the sound. So saturation is often used together with EQ to clean the processed sound off mud.
You may also be interested to learn how to reference mixing work in Ableton.