Step 2: Long before the equalizer
This issue is important primarily for the record producers, but the audio mixing engineers should also be familiar with the topic in order to avoid spending hours fixing the record, which was initially poor. Before you push the REC. button, you need to understand what role the instrument will play in the future song and where its place will be, so online mixing and mastering services engineer can adjust the settings accordingly. Imagine that we are taking an acoustic guitar for a duet with a singer. Of course, in this case the timbre of the guitar needs to be as rich as possible to fill the track space. And vice versa, if we try to achieve the full acoustics sound for a group of 10 people, we will only get inaudibility, a stack of frequency conflicts and the “battle” for the song transparency during mixing.
Both of these scenarios require completely different approaches to recording and mixing and different tones of the instruments. Approach the process of recording intelligently – this applies to selecting the recording tool, the microphones, their arrangement, quantity, and even the room, where the recording session takes place. If you do that, you won’t need to use any mad options during the equalization of initially poor tracks. Don’t worry if the entire track sounds a bit “odd” – sharp, empty, thin or something else. Remember that an mixing music wit equalizer job is to turn a mishmash of instruments into a smoothly sounding pattern, so extra components have to be removed in advance. If the instrument performs its function and sounds well in the overall mix, then everything at mixing was done correctly.